| 1965 | Born in Perth, Western Australia |
| 2017– | Lives and works in Melbourne (1985–95 Melbourne, 1995 Paris (6 months), 1996 Los Angeles (4 months), 1998-1999 Berlin (one year), 1999–2017 Sydney) |
| Education | |
| 2005–9 | The University of Sydney, Sydney (PhD by thesis), University Postgraduate Award |
| 1986–8 | Victorian College of the Arts, Melbourne (Bachelor of Arts in Fine Arts) |
| 1984 | Curtin University, Perth (Bachelor of Arts, Fine Art, incomplete) |
| 1983 | Curtin University, Perth (Bachelor of Arts, Craft (Textiles), transferred to Fine Art) |
| Peer Review – Studio | |
| 2017 | Project Grant, Individuals and groups, Australia Council for the Arts |
| 2014 | Project Grant, Skills and Arts Development General, Australia Council for the Arts |
| 2013 | Project Grant, New Work (Established), Australia Council for the Arts |
| 2002 | Project Grant, New Work (Established), Australia Council for the Arts |
| 1998 | Catalogue Grant, Arts Queensland |
| 1997 | Studio Residency, Künstlerhaus Bethanien, Berlin, Australia Council for the Arts (12 months 1998-99) |
| 1994 | Studio Residency, Los Angeles, Australia Council for the Arts (4 months in 1996) |
| 1993 | Studio Residency, University of Sydney Power Studio, Cité Internationale des Arts, Paris (6 months in 1995) |
| Peer Review – Writing | |
| 2017 | The Power of Inclusion in Donald Judd’s Art, ed. Rebecca M. Brown, Art Journal, College Art Association, New York, 2017, pp. 48–62. |
| Awards, Prizes and other residencies | |
| 2022 | AAANZ Art Writing and Publishing Award: Highly Commended (Best Artist-led Publication) for Space Practising Tools, judges: Associate Professor Martyn Jolly and Associate Professor Robert Nelson, Art Association of Australia and New Zealand |
| 2018 | Redlands Konica Minolta Art Prize (cur. Nike Savvas; judges Natasha Bullock & Mark Harpley), National Art School Gallery, Sydney |
| 2017 | AAANZ Best Artist Book Prize: Joint Winner for Missing: Four Sculptuations, judges: Martyn Jolly & Christopher LG Hill, Art Association of Australia and New Zealand |
| 2008 | James Kentley Memorial Scholarship, The University of Sydney |
| 2005–9 | University Postgraduate Award (and extension), The University of Sydney |
| 1990 | Studio Residency Gertrude Contemporary at 200 Gertrude Street (Dir. Rose Lang), Melbourne (2 years) |
| 1987 | Victorian College of the Arts prize, Eckersley’s award |
| 1986 | Victorian College of the Arts prize, National Gallery Women’s Association |
| Collections | |
| Public & Corporate | Art Gallery of New South Wales, Sydney (2007); Artbank, Sydney (1996); Art Built-in, Brisbane (2000); Citibank Collection, New York (1997); Cruthers Collection, Lawrence Wilson Art Gallery, Perth (1994); Griffith University Collection, Brisbane (1995); Mercedes-Benz Art Collection, Berlin (1998 & 2009); Monash University Collection, Melbourne (1993); Museum of Contemporary Art, Sydney (1993 & 1997); National Gallery of Australia, Canberra (1996 & 2013); Queensland Art Gallery (QAGOMA), Brisbane (1995); Toowoomba Regional Gallery, Queensland (1998); University Art Museum, Brisbane (1999 & 2001) |
| Private | Berlin, Brisbane, Copenhagen, Düsseldorf, Melbourne, Munich, Paris, Perth, San Francisco, Sydney, Zurich |