Publisher: Gail Hastings’ studio
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Review
When Charles Saatchi’s gallery opened in South Bank, with its notorious list of headliners (chunks of frozen human blood, sump oil lagoons and rooms full of chopped-up cattle), one small corner was devoted to a collection of newspaper cartoons lampooning the works. My favourite was one in which an Eskimo, gazing at Damien Hirst’s pickled…
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22 May 2012
The upcoming exhibition’s title includes brackets that allude to at least three machinations of the artwork it includes. First, the square brackets resemble the space-holder artworks in the exhibition. Second, the brackets inject a separate commentary aside from the mainstream commentary that excludes actual space in art. Third, the square brackets emphasise the act of bracketing…