Book Type: Online

  • Review

    When Charles Saatchi’s gallery opened in South Bank, with its notorious list of headliners (chunks of frozen human blood, sump oil lagoons and rooms full of chopped-up cattle), one small corner was devoted to a collection of newspaper cartoons lampooning the works. My favourite was one in which an Eskimo, gazing at Damien Hirst’s pickled…

  • The pure potential of a page

    Gail Hastings’ e-book, Missing, is not a catalogue or a monograph. It isn’t even really that comfortable with the moniker ‘artist book’. It stakes out an entirely different territory altogether, challenging the very limits of the ‘page’. The book is not a collection of reproduced images that serve as impoverished reiterations of pre-existing artworks. It is a…

  • Gail Hastings – Exhibition: To Do

    Gail Hastings – Exhibition: To Do

    Gail Hastings has a solution for creating work that might return to her studio (rather than to a museum or private collection). Gail Hastings’ major new work Exhibition: To Do is anchored around a large square plywood structure that sits on the earth’s axis – the walls respectively facing north, south, east and west. The visitor is…

  • In the loop July 24: quick picks

  • Trash or treasure

    JOHN MCDONALDJanuary 17, 2009 — 11.00am Weblink RARELY has a slighter show had a more grandiloquent title than To Make A Work Of Timeless Art, a selection of pieces acquired from the Primavera exhibitions held at the Museum of Contemporary Art every year since 1992. Primavera was initiated by a bequest from the Jackson family in honour of…

  • The Lost Album – Is It for Me?

    The Lost album is an essential acquisition. And it’s not just for the songs — RF’s liner notes are worth the CD price alone! Overall, what you get with this album is a sense of the early influences and, critically, how they, in many ways, continued to shape the future: particularly, the distinctive rhythm guitar…

  • An emailed note concerning an art talk by Gail Hastings

  • If Anything.

  • Passing Time: The Moet & Chandon Exhibition 2000

  • All this and Heaven too

PAGES
♥ Art
♥ Space tendencies

♥ News

I acknowledge the Kulin Nation’s Yaluk-ut Weelam clan of the Boon Wurrung people as custodians of the lands, waterways and skies where I live and work. I pay my respect to their Elders past, present and emerging, and to Elders of Australia’s First Peoples other communities who may be visiting this website.
Gail Hastings