Publication Year: 2014

  • Gail Hastings: Sculptuations

    Gail Hastings: Sculptuations

  • Foreword

  • Afterword

  • Review

    When Charles Saatchi’s gallery opened in South Bank, with its notorious list of headliners (chunks of frozen human blood, sump oil lagoons and rooms full of chopped-up cattle), one small corner was devoted to a collection of newspaper cartoons lampooning the works. My favourite was one in which an Eskimo, gazing at Damien Hirst’s pickled…

  • The pure potential of a page

    Gail Hastings’ e-book, Missing, is not a catalogue or a monograph. It isn’t even really that comfortable with the moniker ‘artist book’. It stakes out an entirely different territory altogether, challenging the very limits of the ‘page’. The book is not a collection of reproduced images that serve as impoverished reiterations of pre-existing artworks. It is a…

  • Gail Hastings – Exhibition: To Do

    Gail Hastings – Exhibition: To Do

    Gail Hastings has a solution for creating work that might return to her studio (rather than to a museum or private collection). Gail Hastings’ major new work Exhibition: To Do is anchored around a large square plywood structure that sits on the earth’s axis – the walls respectively facing north, south, east and west. The visitor is…

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♥ Art
♥ Space tendencies

♥ News

I acknowledge the Kulin Nation’s Yaluk-ut Weelam clan of the Boon Wurrung people as custodians of the lands, waterways and skies where I live and work. I pay my respect to their Elders past, present and emerging, and to Elders of Australia’s First Peoples other communities who may be visiting this website.
Gail Hastings