Gail Hastings
Other
| Teaching | |
| 2010 | Lecturer, casual-6 months, Art History and Theory (Head: Michiel Dolk), National Art School, Sydney |
| 2004 | Honours Examiner, External, honorarium, Sydney College of the Arts (Co-ordinator: Brad Buckley), Sydney |
| 2000-2 | Lecturer, casual, Painting Department (Co-ordinator: Matthys Gerber), Sydney College of the Arts, Sydney |
| 1993-4 | Lecturer, part-time, Sculpture Department (Head: Robert Owen), RMIT, Melbourne |
| 1992-3 | Lecturer, casual, Landscape Architecture Department (Head: Jane Shepherd), RMIT, Melbourne |
| Public Lectures | |
| 25/05/2005 | The work of Ian Burn, ‘Art of the XX Century 2’ Lecture Series (coordinator: George Alexander), Art Gallery of New South Wales, Sydney |
| 18/03/2005 | Response to keynote address by Ross Gibson, ‘Art Museums Symposium: Sites of Communication 2’, Art Gallery of New South Wales, Sydney |
| 16/03/2005 | The work of Daniel Buren, ‘Art of the XX Century 2’ Lecture Series (coordinator: George Alexander), Art Gallery of New South Wales, Sydney |
| 18/08/2004 | The work of Mark Rothko, ‘Art of the XX Century 1’ Lecture Series (coordinator: George Alexander), Art Gallery of New South Wales, Sydney |
| Art Administration – General | |
| 1992 | Visual Arts Program Coordinator, part-time, Next Wave Festival (Dir. Zane Trow), Melbourne |
| 1990-1 | Assistant Director (acting then permanent), part-time, George Paton Gallery (Dir. Stuart Koop), University of Melbourne Student Union, University of Melbourne, Parkville |
| 1989-90 | Gallery Assistant, part-time, George Paton Gallery (Dir. Juliana Engberg , Ass. Dir. Stuart Koop), University of Melbourne Student Union, University of Melbourne, Parkville |
| Art Administration – Curatorial | |
| 2000-1 | Guest Curator, Primavera 10: The 10th Anniversary Belinda Jackson Exhibition of Young Artists, Museum of Contemporary Art, Sydney (artists: Alex Gawronski, Michael Graeve, Carman Soraya Moreno Hernandez, Bianca Hester, Annie Hogan, Scott Mitchell, TV Moore, Jacinta Schreuder, Blair Trethowan) |
| 1998-9 | Director/curator, Someone Else’s Studio, Room 18, 354 Brunswick Street (cnr. Ann Street), Fortitude Valley, Brisbane* Exhibitions included: A work by David Akenson in someone else’s studio A work by Peter Alwast in someone else’s studio A work by Stephen Bram in someone else’s studio A work by Eugene Carchesio in someone else’s studio A work by A.D.S. Donaldson in someone else’s studio A work by Mikala Dwyer in someone else’s studio A work by Kathleen Horton in someone else’s studio A work by Petalia Humphreys (Mackay) in someone else’s studio A work by Gerold Miller in someone else’s studio A work by Elizabeth Newman in someone else’s studio A work by John Nixon in someone else’s studio A work by Susan Ostling in someone else’s studio A work by Sandra Selig in someone else’s studio A work by Dion Workman in someone else’s studio * Gail Hastings’ studio at the time |
| 1998 | Guest Curator, Two Timing: an exhibition that considers the artwork through an aspect of time, Metro Arts (Dir. Stephen , Brisbane (artists: Bronwyn Clark-Coolee, Kathleen Horton, Kerrie Poliness, Amanda Speight, Sarah Stutchbury, Dion Workman) |
| 1992 | Co-curator with Professor Jenny Zimmer, Learning, Visual Arts Program, Next Wave Festival (Dir. Zane Trow), Monash Studios, Cambridge Street, Collingwood, Melbourne |
| Publishing | |
| 2021 | Editor and design, Space Practising Tools, Pigment Publisher, Melbourne |
| 2015 | Editor and design, The Missing Space Project: Six Interviews, ebook, Pigment Publisher, Sydney, Apple Book Store |
| 2014 | Editor and design, The Missing Space Project: Six Interviews, ebook, Pigment Publisher, Sydney, Apple Book Store |
| 1993 | Assistant editor, typesetter and design, art periodical Binocular: Focussing / Material / Histories, eds. Juliana Engberg and Ewen McDonald, Moët and Chandon, Melbourne |
| 1992 | Typesetter and design, art periodical Binocular: Focussing / Time / Lapses, eds. Juliana Engberg and Ewen McDonald, Moët and Chandon, Melbourne |
| 1991 | Typesetter and design, art periodical Binocular: Focussing / Writing / Vision, eds. Juliana Engberg and Ewen McDonald, Moët and Chandon, Melbourne |
| 1989–90 | Advertising Manager, advert typesetter and design, Agenda Contemporary Art magazine, ed. Juliana Engberg, ass. ed. Stuart Koop, George Paton Gallery, Melbourne |
Biography
| 1965 | Born in Perth, Western Australia |
| 2017– | Lives and works in Melbourne (1985–95 Melbourne, 1995 Paris (6 months), 1996 Los Angeles (4 months), 1998-1999 Berlin (one year), 1999–2017 Sydney) |
| Education | |
| 2005–9 | The University of Sydney, Sydney (PhD by thesis), University Postgraduate Award |
| 1986–8 | Victorian College of the Arts, Melbourne (Bachelor of Arts in Fine Arts) |
| 1984 | Curtin University, Perth (Bachelor of Arts, Fine Art, incomplete) |
| 1983 | Curtin University, Perth (Bachelor of Arts, Craft (Textiles), transferred to Fine Art) |
| Peer Review – Studio | |
| 2017 | Project Grant, Individuals and groups, Australia Council for the Arts |
| 2014 | Project Grant, Skills and Arts Development General, Australia Council for the Arts |
| 2013 | Project Grant, New Work (Established), Australia Council for the Arts |
| 2002 | Project Grant, New Work (Established), Australia Council for the Arts |
| 1998 | Catalogue Grant, Arts Queensland |
| 1997 | Studio Residency, Künstlerhaus Bethanien, Berlin, Australia Council for the Arts (12 months 1998-99) |
| 1994 | Studio Residency, Los Angeles, Australia Council for the Arts (4 months in 1996) |
| 1993 | Studio Residency, University of Sydney Power Studio, Cité Internationale des Arts, Paris (6 months in 1995) |
| Peer Review – Writing | |
| 2017 | The Power of Inclusion in Donald Judd’s Art, ed. Rebecca M. Brown, Art Journal, College Art Association, New York, 2017, pp. 48–62. |
| Awards, Prizes and other residencies | |
| 2022 | AAANZ Art Writing and Publishing Award: Highly Commended (Best Artist-led Publication) for Space Practising Tools, judges: Associate Professor Martyn Jolly and Associate Professor Robert Nelson, Art Association of Australia and New Zealand |
| 2018 | Redlands Konica Minolta Art Prize (cur. Nike Savvas; judges Natasha Bullock & Mark Harpley), National Art School Gallery, Sydney |
| 2017 | AAANZ Best Artist Book Prize: Joint Winner for Missing: Four Sculptuations, judges: Martyn Jolly & Christopher LG Hill, Art Association of Australia and New Zealand |
| 2008 | James Kentley Memorial Scholarship, The University of Sydney |
| 2005–9 | University Postgraduate Award (and extension), The University of Sydney |
| 1990 | Studio Residency Gertrude Contemporary at 200 Gertrude Street (Dir. Rose Lang), Melbourne (2 years) |
| 1987 | Victorian College of the Arts prize, Eckersley’s award |
| 1986 | Victorian College of the Arts prize, National Gallery Women’s Association |
| Collections | |
| Public & Corporate | Art Gallery of New South Wales, Sydney (2007); Artbank, Sydney (1996); Art Built-in, Brisbane (2000); Citibank Collection, New York (1997); Cruthers Collection, Lawrence Wilson Art Gallery, Perth (1994); Griffith University Collection, Brisbane (1995); Mercedes-Benz Art Collection, Berlin (1998 & 2009); Monash University Collection, Melbourne (1993); Museum of Contemporary Art, Sydney (1993 & 1997); National Gallery of Australia, Canberra (1996 & 2013); Queensland Art Gallery (QAGOMA), Brisbane (1995); Toowoomba Regional Gallery, Queensland (1998); University Art Museum, Brisbane (1999 & 2001) |
| Private | Berlin, Brisbane, Copenhagen, Düsseldorf, Melbourne, Munich, Paris, Perth, San Francisco, Sydney, Zurich |
Solo Exhibitions (edited)
| 21/11/2025 | Behind You: Three sculptuations by Gail Hastings, Conners Conners Gallery (cur. Narelle Desmond, Ry Haskings and Vincent Alessi), Melbourne |
| 06/08/2025 | Living Room: To stare at a stare, Living Room, Melbourne |
| 11/04/2014 | Exhibition: To Do, The Commercial, Sydney |
| 19/09/2013 | Sydney Contemporary 13, The Commercial (cur. Amanda Rowell), Sydney |
| 20/09/2012 | [space holder], Gail Hastings Exhibition Studio, Sydney |
| 22/10/2011 | Space you can’t sit on: The space in Today, Gail Hastings Exhibition Studio, Sydney |
| 03/06/2011 | Encounter: Stephen Sinn, Gail Hastings Exhibition Studio, Sydney |
| 23/02/2010 | Leave the line standing, St Canice’s Annex, Sydney |
| 07/02/2008 | Sculptural Situations: Gail Hastings, Perth Institute of Contemporary Art (cur. Melissa Keys), Perth |
| 19/03/2007 | Overheard Conversation: Sculptural Situations by Gail Hastings, Art Gallery of New South Wales (cur. Natasha Bullock, Wayne Tunnicliffe, Tony Bond), Sydney |
| 07/11/2003 | But is it art?, The Cross Art Projects, Sydney |
| 25/01/2003 | PLANS: a sculptural situation by Gail Hastings, Heidi Museum of Modern Art (cur. Zara Stanhope), Melbourne |
| 25/03/2001 | Gail Hastings: multiples, books, prints, editions, etc., Pestorius Sweeney House, Brisbane |
| 16/03/2001 | mission: untitled (blue), Australian Centre for Contemporary Art (cur. Stuart Koop), Melbourne |
| 07/07/2000 | Gail Hastings: Sculptural Situation 1989–2000, Goddard de Fiddes (cur. David Pestorius), Perth |
| 11/09/1999 | Sorry, we are closed, UQ Art Museum, Brisbane |
| 12/06/1999 | I views, Canberra Contemporary Art Space, Canberra |
| 30/04/1999 | apparently not, David Pestorius Gallery, Berlin |
| 05/03/1999 | art idea no. 8,582,048, Künstlerhaus Bethanien, Berlin |
| 06/12/1998 | art idea no. 8,582,048, Bahnwärterhaus (cur. Renate Wiehager), Esslingen |
| 12/03/1998 | art opinion no. 636, David Pestorius Gallery, Brisbane |
| 06/03/1998 | Untitled discussions, Anthony Meier Fine Arts, San Francisco |
| 24/09/1997 | To complete a work of contemporary art, Ausstellungsraum Thomas Taubert, Düsseldorf |
| 02/08/1997 | forgotten encyclopaedias, 24 Church Street, Fortitude Valley, Brisbane |
| 11/06/1997 | Statements Art 28‘97 Basel, David Pestorius Gallery, Basel |
| 07/06/1997 | two and three stares, Galerie Mark Müller, Zurich |
| 23/05/1997 | two corners and a cube, Galerie Köstring/Maier, München |
| 24/04/1997 | Duality: a series of weekly exhibitions during April 1997, David Pestorius Gallery, Brisbane |
| 04/04/1997 | four coincidences, Anna Schwartz Gallery, Melbourne |
| 30/11/1996 | To make a work of timeless art, David Pestorius Gallery, Brisbane |
| 03/10/1996 | To make a work of timeless art, Experimental Art Foundation, Adelaide |
| 09/05/1996 | Art 1996 Chicago, David Pestorius Gallery, Chicago |
| 20/04/1996 | out of time: part two, David Pestorius Gallery, Brisbane |
| 07/03/1996 | To make a work of timeless art, Artspace, Sydney |
| 14/10/1995 | To make a work of thoughtful art, Ausstellungsraum Thomas Taubert, Düsseldorf |
| 10/02/1995 | rule c: Remember, the aesthetic outcome of this exercise is purely due to chance and circumstance. It bears no reflection on you, personally., David Pestorius Gallery, Brisbane |
| 01/09/1994 | Drawn Lines, Institute of Modern Art (cur. Nick Tsoutas), Brisbane |
| 27/08/1994 | Room 32, Room 32, Regents Court (cur. Matthew Johnson), Sydney |
| 04/05/1994 | well actually, Anna Schwartz Gallery, Melbourne |
| 05/08/1993 | Belles-lettres, Australian Centre for Contemporary Art (cur. Jenepher Duncan), Melbourne |
| 01/07/1993 | spatial probabilities 1993: Watercolours by Gail Hastings, Anna Schwartz Gallery, Melbourne |
| 11/12/1991 | Gail Hastings & Elizabeth Newman, Roslyn Oxley9 Gallery (cur. Elizabeth Newman), Sydney |
| 27/04/1991 | No, just an empty square, Store 5, Melbourne |
| 06/04/1991 | Some examples of different ways, Store 5, Melbourne |
| 14/11/1990 | Floor Plan: Empty, except, Gertrude Contemporary, Melbourne |
| 20/09/1990 | 4th Australian Sculpture Triennial Forum, Melbourne Lower Town Hall (cur. Brenda Ludeman and Kevin Murray), Melbourne |
| 21/04/1990 | Room for Love, Store 5 (cur. Gary Wilson), Melbourne |
| 30/11/1989 | This Performance — A Passing Thought, Gertrude Contemporary, Melbourne |
| 14/07/1989 | Gail Hastings Installation 1989 / Fergus Armstrong Photograph 1989, Store 5, Melbourne |
Artist Pages
| 01/05/1991 | Otis Rush : new writing, new art & reviews, Experimental Art Foundation, Adelaide |
Group Exhibitions (edited)
| 15/11/2025 | The 8th Biennale of NON OBJECTIVE ARTS | EXPANDER – PART 2: Resonant Systems, KULTX Collaborative (cur. The Talent Agency), Khon Kaen |
| 08/02/2025 | A Fictional Retrospective: Gertrude’s First Decade 1985-1995, Gertrude Contemporary (cur. Sue Cramer and Emma Nixon), Naarm Melbourne |
| 11/05/2024 | 2024 Ravenswood Australian Women’s Art Prize, Ravenswood School for Girls (cur. Jade Oakley, Jennifer Turpin, Kathryn Hendy-Ekers, Kathryn Minkley, Lara Merrett (Guest), Katrina Collins (Guest)), Sydney |
| 23/08/2023 | Deakin University Contemporary Small Sculpture Award, Deakin University Art Gallery (cur. Lisa Roet, Antony Fitzpatrick with Leanne Willis), Melbourne |
| 11/12/2022 | KNULP Online Fundraiser 2022, KNULP, Sydney |
| 25/10/2022 | Citational choices, La Trobe Art Institute (cur. Isabelle Sully), Bendigo |
| 15/03/2018 | Redlands Konica Minolta Art Prize, National Art School Gallery (cur. Nike Savvas), Sydney |
| 16/06/2017 | 9 X 5 NOW Exhibition: ART150, Margaret Lawrence Gallery (cur. Elizabeth Gower), Melbourne |
| 17/01/2015 | A Few Pieces, Taubert Contemporary, Berlin |
| 18/12/2014 | Taking it all away: MCA collection, Museum of Contemporary Art (cur. Natasha Bullock), Sydney |
| 13/08/2014 | Melbourne Art Fair, The Commercial (cur. Amanda Rowell), Melbourne |
| 13/03/2014 | 20/20, Sarah Cottier Gallery, Sydney |
| 24/01/2014 | OUI we, The Commercial (cur. Amanda Rowell), Sydney |
| 26/07/2013 | JANIS II, The Commercial (cur. Kelly Doley and Amanda Rowell), Sydney |
| 26/04/2013 | Direct Democracy, Monash University Museum of Art (cur. Geraldine Barlow), Melbourne |
| 11/10/2012 | Notes towards contemporary post-minimalism [withdrawal], Heidi Museum of Modern Art, |
| 03/08/2012 | Less is More: Minimal and Post-Minimal Art in Australia [withdrawal], Heidi Museum of Modern Art (cur. Sue Cramer), Melbourne |
| 29/10/2010 | Minimalism And Applied II: Dialogues of contemporary art with aspects of 20th century design and architecture, Mercedes-Benz Art Collection (cur. Renate Wiehager), Berlin |
| 16/06/2010 | Taint, FirstDraft Gallery (cur. Clare Lewis), Sydney |
| 15/05/2009 | Art from a Hundred Years 1909–2009: Highlights of the Daimler Art Collection, Museum und Galerie im Prediger (cur. Renate Wiehager), Schwäbisch Gmünd |
| 10/04/2009 | Faith and Lust: Various Approaches to Formalist Abstraction, Flinders Street Gallery (cur. Alex Lawler), Sydney |
| 12/11/2008 | To make a work of timeless art: MCA Primavera Acquisitions, Museum of Contemporary Art (cur. Isabel Hesketh and Clare Lewis), Sydney |
| 22/05/2005 | Pitch Your Own Tent: Art Projects / Store 5 / 1st Floor, Monash University Museum of Art (cur. Max Delany), Melbourne |
| 19/03/2005 | Store 5 is … ?, Anna Schwartz Gallery (cur. Deborah Hennessy), Melbourne |
| 03/09/2003 | Private/Corporate II, Mercedes-Benz Art Collection (cur. Renate Wiehager), Berlin |
| 06/06/2003 | Hothouse: The flower in contemporary art, Monash University Museum of Art (cur. Zara Stanhope), Melbourne |
| 14/05/2003 | The Daimler Art Collection at the Museum für Neue Kunst | ZKM Karlsruhe, Museum für Neue Kunst | ZKM Karlsruhe (cur. Renate Wiehager), Karlsruhe |
| 04/04/2003 | In Conversation, UQ Art Museum (cur. David Pestorius), Brisbane |
| 18/08/2002 | Kunst Nach Kunst / Art After Art, Neues Museum Weserburg Bremen (cur. Peter Friese), Bremen |
| 20/12/2001 | BLOCK fundraiser, BLOCK Gallery (cur. Jason Markou and Joerg Hubmann), Sydney |
| 27/10/2001 | October 2001 / Geometrical Affairs, Mercedes-Benz Art Collection (cur. Renate Wiehager), Berlin |
| 07/12/2000 | Monochromes, UQ Art Museum (cur. David Pestorius), Brisbane |
| 19/08/2000 | Close Quarters: Contemporary Art from Australia and New Zealand, Dunedin Public Art Gallery (cur. C. Barton, Z. Stanhope, C. Williamson), Dunedin |
| 08/02/2000 | Passing Time: Moët & Chandon Exhibition 2000, Art Gallery of New South Wales (cur. Victoria Lynn), Sydney |
| 18/12/1999 | Close Quarters: Contemporary Art from Australia and New Zealand, Auckland Art Gallery Toi o Tāmaki (cur. C. Barton, Z. Stanhope, C. Williamson), Aukland |
| 16/09/1999 | Close Quarters: Contemporary Art from Australia and New Zealand, Govett-Brewster Art Gallery (cur. C. Barton, Z. Stanhope, C. Williamson), New Plymouth |
| 10/09/1999 | Open House, Pestorius Sweeney House (cur. Ben Curnow), Brisbane |
| 08/09/1999 | Space Affects: the art and architecture of James Birrell and Gail Hastings, Metro Arts (cur. David Pestorius), Brisbane |
| 15/08/1999 | The Space Here Is Everywhere: Art with Architecture, Villa Merkel/Bahwärterhaus (cur. Renate Wiehager), Esslingen |
| 02/07/1999 | Close Quarters: Contemporary Art from Australia and New Zealand, ANU School of Art Gallery (cur. C. Barton, Z. Stanhope, C. Williamson), Canberra |
| 21/04/1999 | projections, David Pestorius Gallery, Berlin |
| 04/03/1999 | Close Quarters: Contemporary Art from Australia and New Zealand, Institute of Modern Art (cur. C. Barton, Z. Stanhope, C. Williamson), Brisbane |
| 08/10/1998 | Close Quarters: Contemporary Art from Australia and New Zealand, Australian Centre for Contemporary Art (cur. Christina Barton, Zara Stanhope, Clare Williamson), Melbourne |
| 03/10/1998 | Strolling – the art of arcades, boulevards, barricades, publicity, Heidi Museum of Modern Art (cur. Max Delany), Melbourne |
| 02/10/1998 | Ladies & Gentlemen, Someone else’s studio (cur. David Pestorius), Brisbane |
| 29/09/1998 | The Infinite Space: Women, Minimalism and the Sculptural Object, The Ian Potter Museum of Art (cur. Rachel Kent), Melbourne |
| 23/09/1998 | Moët & Chandon Australian Art Foundation Touring Exhibition 1998, Queensland Art Gallery (cur. Frances Lindsay and Brian McKay), Brisbane |
| 29/07/1998 | Moët & Chandon Australian Art Foundation Touring Exhibition 1998, Art Gallery of New South Wales (cur. Frances Lindsay and Brian McKay), Sydney |
| 30/04/1998 | Moët & Chandon Australian Art Foundation Touring Exhibition 1998, National Gallery of Victoria (cur. Frances Lindsay and Brian McKay), Melbourne |
| 17/03/1998 | Moët & Chandon Australian Art Foundation Touring Exhibition 1998, National Gallery of Australia (cur. Frances Lindsay and Brian McKay), Canberra |
| 05/03/1998 | All This And Heaven Too: 1998 Adelaide Biennial of Australian Art, Art Gallery of South Australia (cur. Juliana Engberg & Ewen McDonald), Adelaide |
| 01/09/1997 | Art Forum Berlin 1997, David Pestorius Gallery, Berlin |
| 30/05/1997 | On Dialogue, Haus am Waldsee (cur. Anne Marie Freybourg), Berlin |
| 08/05/1997 | Art 1997 Chicago, David Pestorius Gallery, Chicago |
| 07/03/1997 | Wall as Medium?, David Pestorius Gallery, Brisbane |
| 22/09/1996 | The Pool, Centenary Pools (cur. David Pestorius), Brisbane |
| 18/09/1996 | Moët & Chandon Australian Art Foundation Touring Exhibition 1996, Art Gallery of New South Wales (cur. Terry Smith, Pat Hoffie & John McPhee), Sydney |
| 24/08/1996 | Reservoir, Lake Macquarie City Art Gallery (cur. Ewen McDonald), Lake Macquarie |
| 24/05/1996 | Moët & Chandon Australian Art Foundation Touring Exhibition 1996, Art Gallery of South Australia (cur. Terry Smith, Pat Hoffie & John McPhee), Adelaide |
| 17/04/1996 | Moët & Chandon Australian Art Foundation Touring Exhibition 1996, National Gallery of Victoria (cur. Terry Smith, Pat Hoffie & John McPhee), Brisbane |
| 20/03/1996 | Road to Love, Sarah Cottier Gallery (cur. Mikala Dwyer), Sydney |
| 14/02/1996 | Moët & Chandon Australian Art Foundation Touring Exhibition 1996, National Gallery of Victoria (cur. Terry Smith, Pat Hoffie & John McPhee), Melbourne |
| 05/12/1995 | Lovers, Heidi Museum of Modern Art (cur. Juliana Engberg), Melbourne |
| 12/05/1995 | please nota bene the other rules on the following page, David Pestorius Gallery (cur. Gail Hastings), Brisbane |
| 16/02/1995 | In the Company of Women: 100 Years of Australian Women’s Art from the Cruthers Collection, Perth Institute of Contemporary Art (cur. John Cruthers), Perth |
| 25/03/1993 | Temporal, Anna Schwartz Gallery (cur. Shelley Lasica), Melbourne |
| 05/12/1992 | Above the Lake – Below the Sky, Benalla Art Gallery (cur. Victor Meertons), Benalla |
| 15/10/1992 | The Angelic Space: A Celebration of Piero Della Francesca, Monash University Museum of Art (cur. Harriet Edquist and Juliana Engberg), Melbourne |
| 15/10/1992 | Octopus, University of South Australia (cur. Gary Wilson), Adelaide |
| 02/09/1992 | Primavera: The Belinda Jackson Exhibition of Young Artists, Museum of Contemporary Art (cur. Linda Michael), Sydney |
| 30/07/1992 | work by Gail Hastings, Mathew Jones, Anne McDonald, Scott Redford, Black (cur. Mikala Dwyer), Sydney |
| 10/06/1992 | Chairs, Store 5 (cur. Melinda Harper and Gary Wilson), Melbourne |
| 07/08/1991 | Australian Perspecta 1991: 6th Biennial Survey of Contemporary Australian Art, Art Gallery of New South Wales (cur. Victoria Lynn), Sydney |
| 01/08/1991 | Production, Institute of Modern Art (cur. Bronwyn Clark-Coolee), Brisbane |
| 27/03/1991 | Melinda Harper, Gail Hastings, Gary Wilson, Constanze Zikos, FirstDraft Gallery (cur. Melinda Harper), Sydney |
| 29/11/1990 | Loaded, 13 Verity Street (cur. Ashley Crawford and Max Delany), Melbourne |
| 13/10/1990 | Drawings, Store 5 (cur. Melinda Harper), Melbourne |
| 09/10/1990 | Dis-location, RMIT Gallery (cur. Robert Owen), Melbourne |
| 01/03/1990 | Exsultate, jubilate, Store 5 (cur. Angela Brennan and Elizabeth Newman on invitation by Gail Hastings), Melbourne |
| 16/12/1989 | Other Photography #2, Store 5 (cur. Gary Wilson), Melbourne |
| 01/12/1989 | S.W.I.M. Fund Raiser, Linden Centre for Contemporary Arts (cur. Kathy Temin), Melbourne |
| 11/11/1989 | A3 20, Store 5 (cur. Gary Wilson), Melbourne |
| 12/08/1989 | Suzannah Barta, Sandra Bridie, Lyndell Brown, Gail Hastings, Store 5 (cur. Gail Hastings), Melbourne |
| forthcoming | Perspectives. Futurisms, Mercedes-Benz Art Collection (cur. Renate Wiehager), Berlin |
