other

Teaching
2010 Lecturer, casual-6 months, Art History and Theory (Head: Michiel Dolk), National Art School, Sydney
2004 Honours Examiner, External, honorarium, Sydney College of the Arts (Co-ordinator: Brad Buckley), Sydney
2000-2 Lecturer, casual, Painting Department (Co-ordinator: Matthys Gerber), Sydney College of the Arts, Sydney
1993-4 Lecturer, part-time, Sculpture Department (Head: Robert Owen), RMIT, Melbourne
1992-3 Lecturer, casual, Landscape Architecture Department (Head: Jane Shepherd), RMIT, Melbourne
Public Lectures
25/05/2005 The work of Ian Burn, ‘Art of the XX Century 2’ Lecture Series (coordinator: George Alexander), Art Gallery of New South Wales, Sydney
18/03/2005 Response to keynote address by Ross Gibson, ‘Art Museums Symposium: Sites of Communication 2’, Art Gallery of New South Wales, Sydney
16/03/2005 The work of Daniel Buren, ‘Art of the XX Century 2’ Lecture Series (coordinator: George Alexander), Art Gallery of New South Wales, Sydney
18/08/2004 The work of Mark Rothko, ‘Art of the XX Century 1’ Lecture Series (coordinator: George Alexander), Art Gallery of New South Wales, Sydney
Art Administration – General
1992 Visual Arts Program Coordinator, part-time, Next Wave Festival (Dir. Zane Trow), Melbourne
1990-1 Assistant Director (acting then permanent), part-time, George Paton Gallery (Dir. Stuart Koop), University of Melbourne Student Union, University of Melbourne, Parkville
1989-90 Gallery Assistant, part-time, George Paton Gallery (Dir. Juliana Engberg
, Ass. Dir. Stuart Koop), University of Melbourne Student Union, University of Melbourne, Parkville
Art Administration – Curatorial
2000-1 Guest Curator, Primavera 10: The 10th Anniversary Belinda Jackson Exhibition of Young Artists, Museum of Contemporary Art, Sydney
 (artists: Alex Gawronski, Michael Graeve, Carman Soraya Moreno Hernandez, Bianca Hester, Annie Hogan, Scott Mitchell, TV Moore, Jacinta Schreuder, Blair Trethowan)
1998-9 Director/curator, Someone Else’s Studio, Room 18, 354 Brunswick Street (cnr. Ann Street), Fortitude Valley, Brisbane*
Exhibitions included:
A work by David Akenson in someone else’s studio
A work by Peter Alwast in someone else’s studio
A work by Stephen Bram in someone else’s studio
A work by Eugene Carchesio in someone else’s studio
A work by A.D.S. Donaldson in someone else’s studio
A work by Mikala Dwyer in someone else’s studio
A work by Kathleen Horton in someone else’s studio
A work by Petalia Humphreys (Mackay) in someone else’s studio
A work by Gerold Miller in someone else’s studio
A work by Elizabeth Newman in someone else’s studio
A work by John Nixon in someone else’s studio
A work by Susan Ostling in someone else’s studio
A work by Sandra Selig in someone else’s studio
A work by Dion Workman in someone else’s studio
* Gail Hastings’ studio at the time
1998 Guest Curator, Two Timing: an exhibition that considers the artwork through an aspect of time, Metro Arts (Dir. Stephen , Brisbane
 (artists: Bronwyn Clark-Coolee, Kathleen Horton, Kerrie Poliness, Amanda Speight, Sarah Stutchbury, Dion Workman)
1992 Co-curator with Professor Jenny Zimmer, Learning, Visual Arts Program, Next Wave Festival (Dir. Zane Trow), Monash Studios, Cambridge Street, Collingwood, Melbourne
Publishing
2021 Editor and design, Space Practising Tools, Pigment Publisher, Melbourne
2015 Editor and design, The Missing Space Project: Six Interviews, ebook, Pigment Publisher, Sydney, Apple Book Store
2014 Editor and design, The Missing Space Project: Six Interviews, ebook, Pigment Publisher, Sydney, Apple Book Store
1993 Assistant editor, typesetter and design, art periodical Binocular: Focussing / Material / Histories, eds. Juliana Engberg and Ewen McDonald, Moët and Chandon, Melbourne
1992 Typesetter and design, art periodical Binocular: Focussing / Time / Lapses, eds. Juliana Engberg and Ewen McDonald, Moët and Chandon, Melbourne
1991 Typesetter and design, art periodical Binocular: Focussing / Writing / Vision, eds. Juliana Engberg and Ewen McDonald, Moët and Chandon, Melbourne
1989–90 Advertising Manager, advert typesetter and design, Agenda Contemporary Art magazine, ed. Juliana Engberg, ass. ed. Stuart Koop, George Paton Gallery, Melbourne

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I acknowledge the Kulin Nation’s Yaluk-ut Weelam clan of the Boon Wurrung people as custodians of the lands, waterways and skies where I live and work. I pay my respect to their Elders past, present and emerging, and to Elders of Australia’s First Peoples other communities who may be visiting this website.
Gail Hastings