A Fictional Retrospective: Gertrude’s First Decade 1985-1995

Exhibition
Date 08/Feb/2025 to 23/Mar/2025
Curated by Sue Cramer and Emma Nixon
At Gertrude Contemporary, Naarm Melbourne
Artists

Howard Arkley, Hany Armanious, Stephen Bram, Angela Brennan, Sandra Bridie, Janet Burchill, Jon Campbell, Tony Clark, Brett Colquhoun, Destiny Deacon, Mikala Dwyer, Carolyn Eskdale, Diena Georgetti, Matthys Gerber, Michael Graf, Melinda Harper, Gail Hastings, Raafat Ishak, David Jolly, Mathew Jones, Rosemary Laing, Anne-Marie May, Elizabeth Newman, Rose Nolan, David Noonan, Louise Paramor, Rosslynd Piggott, Vivienne Shark LeWitt, Nike Savvas, Robyn Stacey, Kathy Temin, Anne Zahalka, Constanze Zikos

GH works Room for Love
Image

Photograph by Christian Capurro, courtesy Gertrude Contemporary

Gertrude Contemporary

Executive director: Tracy Burgess
Artistic director: Mark Feary
Gertrude Contemporary curator: Brigid Moriarty

Wurundjeri Country
21-31 High Street
Preston South VIC
Melbourne, Australia

Gail Hastings
  • Gail Hastings
  • Tendencies
  • Living Room
  • Exhibition Memos
  • Curriculum Vitae
  • Contact

Gail Hastings

  • 2025

  • 2024

  • 2023

  • 2022

  • 2021

  • 2020

  • 2018

  • 2017

  • 2015

  • 2014

  • 2013

  • 2012

  • 2011

  • 2010

  • 2009

  • 2008

  • 2007

  • 2003

  • 2002

  • 2001

  • 2000

  • 1999

  • 1998

  • 1997

  • 1996

  • 1995

  • 1994

  • 1993

  • 1992

  • 1991

  • 1990

  • 1989

  • 1988

Gail Hastings

ABN 86354392211

Sculptuations — Stares that are Stairs

About

  • Gail Hastings
  • Tendencies
  • Living Room
  • Exhibition Memos
  • Curriculum Vitae
  • Contact

Space Tendencies

  • Contradiction & Coincidence

  • Cups & Conversation

  • Love

  • Encyclopaedias

  • Stares that are Stairs

Exhibition Memo

  • Behind You: Three sculptuations by Gail Hastings

Living Room

  • To stare at a stare

Acknowledgement of Country

I acknowledge the Kulin Nation’s Yaluk-ut Weelam clan of the Boon Wurrung people as custodians of the lands, waterways and skies where I live and work. I pay my respect to their Elders past, present and emerging. I recognise their culture as the oldest living culture and, in so doing, recognise its strength and resilience against the trauma of colonisation. I voted for their voice. Sovereignty has never been ceded.
Gail Hastings

© Gail Hastings

2026
  • Home
  • Living Room
  • CV