Art Journal’s Fall Issue out soon

Art Journal Vol. 77, no. 3 Fall 2018

Gail Hastings The Power of Inclusion in Donald Judd’s Art: Observations by an Artist
Gail Hastings Artist’s Project: Space Practising Tools

Rebecca M. Brown writes:
Editorial work involves listening, opening one’s sense to silenced voices, to the quiet whispering at the porous edges of our consciousness. Gail Hastings notes that sometimes artworks seem to be reticent teachers, “muttering a lesson,” which we have to pry out of them. As both an artist and scholar reading the material and spatial in Donald Judd’s sculpture Untitled (DSS 33), Hastings rejects this metaphor,

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♥ Art
♥ Space tendencies

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I acknowledge the Kulin Nation’s Yaluk-ut Weelam clan of the Boon Wurrung people as custodians of the lands, waterways and skies where I live and work. I pay my respect to their Elders past, present and emerging, and to Elders of Australia’s First Peoples other communities who may be visiting this website.
Gail Hastings