
This is the primed canvas belonging to primed canvas (Naples yellow) included here to give some idea of the sculptuation.


This is the primed canvas belonging to primed canvas (Naples yellow) included here to give some idea of the sculptuation.



Encyclopaedia of hidden messages
The undercover intelligence agent looked for the secret message code name negative space hidden
here, somewhere, but couldn’t find it.
– chair


a SCULPTURAL SITUATION by gail hastings
Goddard de Fiddes Gallery
7 July to 29 July 2000
31 Malcolm Street, Perth, Western Australia
[Imprinted in fine print on the left]
Issued by the Bureau of Sculptural Situations, including tricky ones, as an edition of 150




Encyclopaedia of a Tricky Situation
– Half a desk — on which rests some drawing paper for planning a bridge over the strawberry field from paths blue to orange. And yet, there are no pencils
– pencils, ruler and set square on the desk, but no paper
– br room
– idge room
– cd player on: pianist Clara Haskil playing, drawing us in, a Mozart concerto
– a strawberry field without passage from paths orange to blue
– path blue
– silently saying: a poster on the wall, a situation somewhere


Chairs part of family room in which gallery installed sculptuation, San Francisco


Encyclopaedia of Missing Art
I was looking at the yellow monochrome below when a square part of it went missing. I asked a passing Art Authority if they had seen the missing part anywhere, and they had, but as an handbag resting on a chair close-by. What sort of qualifications do Art Authorities receive these days? Although the difference between an ‘art’ object and a ‘real life’ object
[floor plan]
has now disappeared, surely the difference between the two and three dimensions remains.
For the sake of sanity I did not inspect the chair and so now report that on this day [Tuesday 3-2-98] and at this hour [5:06pm] , a part of the above monochrome continues, albeit regrettably and due to no fault of my own, to be ‘missing’.
~page 3~
[floor plan details]
– chairs for leaving handbags on
– counter for registering found handbags
– staff only
– Lost & Found Handbag Department
– storage walls for hanging up lost handbags
===
– desk for the occasional cross-referencing between departments
===
– Incomplete Monochrome Department
– storage walls for hanging monochromes with missing parts
– staff only
– counter for registering incomplete monochromes
– chairs where Art Authorities sometimes sit




at home in a private collection, Düsseldorf

The collectors kindly enacted the sculptural situation by adopting its specific placement
ENCYCLOPAEDIA OF SITE SPECIFIC ART
A secret agent from the Site Specific Bureau has been given the job of locating the missing part of the contemporary art pattern no. 21, below. Disguised as an artist, the agent one day joined our art discussion group hoping, I believe, that I might reveal something about the part’s fatal disappearance as I was one of the few who worked on its overall pattern. In the middle of a heated discussion on the passionate weirdness of contemporary art today, the secret agent cunningly diverted
[floor plan]
missing part
the group’s attention to the moment I last saw the art pattern no. 21 complete. “Regrettably”, I replied “this knowledge is lost in some missing room of my memory, but I do recall something about looking at a tree through a window”. Everyone laughed at this, the secret agent the loudest, and asked what possible relevance could a tree seen through a window have to this contemporary art pattern. I took a gamble and replied “the specificness of real life” which, annoyingly, made them laugh louder. Yet I did notice the secret agent secretly write this down, ending with, as they do, the time [11:17 am] and the date [Mon. 20-10-97] .
[floor plan]
missing part
– window through which can be seen a tree
– couch
– missing room



Encyclopaedia of Ideas in Art
To see and thus complete the idea hidden behind this work of contemporary art, select one of the four objects below labelled I., D., E. and A.. Hold it above the following page 206. Close your eyes, think of something you once lost and let the object haphazardly fall. Open your eyes, see how it has fallen and ask someone the time [12:26 pm] and date [22 April 1997] . Now take this lost and fallen object of I. D. E. A. and hang it on the following piece of wall. You have now revealed and thus completed the idea behind this work of contemporary art.
————page 25———




Encyclopaedia of Time in Art
To find the time in this work of art, enter a room in which the air is warm and listen to the soft noise from outside.
While listening, hold a pen above the grid on page 35, close your eyes and let your hand fall. Open you eyes and note the time and date of this fallen mark, on page 36.
~34~
[floor plan details]
– room of warm air;
– shelves of books on atmospheric conditions;
– books containing conversations about the weather;
– table with fan;
– windows.
—————
Encyclopaedia of Time in Art
~35~
—————
Encyclopaedia of Time in Art
At the moment your hand fell and marked the part of the grid below, the time in this work of art was found.
In completing the instructions from page 28, please note here this moment’s:
time ____[7:24pm]_____ and date ___[Monday, 12 February ’96]______________ .
~36~
[floor plan details]
– room for loosing words;
– part D of an artwork;
– room for finding time;
– table for noting the time and date;
– wall seat;
– part A of an artwork.
[nb: ‘loosing’ should be ‘losing’]





Encyclopaedia of Time in Art
To find the time in this work of art, enter a room in which there is a dining table and think of your last swim in the pool.
With this swim in mind, hold a pen above the grid on page 29, close your eyes and let your hand fall. Open you eyes and note the time and date of this fallen mark, on page 30.
~28~
[floor plan details]
– room with dining table;
– entrance for half of the dinner guests;
– entrance for the other half.
—————
Encyclopaedia of Time in Art
~29~
—————
Encyclopaedia of Time in Art
At the moment your hand fell and marked the part of the grid below, the time in this work of art was found.
In completing the instructions from page 28, please note here this moment’s:
time [10:06pm] and date [Saturday, 10 February ’96] .
~30~
[floor plan details]
– room for chance in the passages of water and words;
– window;
– table for noting the time and date;
– book shelves.





Encyclopaedia at the Heart of Art
To find the heart in this work of art, share a packet of 15 bonbons with friends and eat all but one.
Return the remaining bonbon to the packet and adhere it to the blue square above. Take note of when the first and second-last hearts were taken.
page 9
Encyclopaedia at the Heart of Art
And now to be at the heart of this work of art, please complete the information below.
The first heart was shared on [Tuesday, 3 October 1995] leaving the remaining heart on [Tuesday 24 October 1995]
page 8




Encyclopaedia for writing the time
Table, empty, for writing the time
page (the time) [12:40 pm Sat 30th Sept ’95]


Encyclopaedia of Unseen Time
To select the colours for this watercolour wait until night, turn out the light and draw out from the watercolour box three watercolours.
Turn on the light and note down the page number as the time now seen. Repeat the above guidelines two times more and complete two further watercolours.
page Wednesday 26th Sept ’95, 9.08pm


Encyclopaedia of Unseen Time
To select the colours for this watercolour wait until night, turn out the light and draw out from the watercolour box three watercolours.
Turn on the light and note down the page number as the time now seen. Repeat the above guidelines two times more and complete two further watercolours.
page Tuesday 26th Sept ’95, 8.44pm



Encyclopaedia of Unseen Time
To select the colours for this watercolour wait until night, turn out the light and draw out from the watercolour box three watercolours.
Turn on the light and note down the page number as the time now seen. Repeat the above guidelines two times more and complete two further watercolours.
page Monday 25th Sept ’95, 9.27pm














Encyclopaedia of Stairs
Intoxicated by fatigue, she grabs hold of the rail and slides giddily upon the step. No further can the beating, blaring city entice her to pursue the echoes ahead. The city’s garble plays medley with her thoughts: she’s forgotten whether she was desperately seeking or instead chasing away.
page 5
Encyclopaedia of Stairs
Steps descend: a child sits beside her and says … “I know exactly what’s happened – I read about it in the Encyclopaedia of Stairs – and these stairs in particular are notorious. Have you heard, shall I tell you?” Bewildered, fatigued – she listens.
page 5
Encyclopaedia of Stairs
“On page five it’s written that at the foot of these stairs – near the river below – there waited a woman. She waited and waited, through the night’s darkness and cold, mist so thick, through to the day’s sunlight that follows. She waited for Hope.
page 5
Encyclopaedia of Stairs
“When One day – hearing steps descending, presuming them to be Hope – she hastened, ascending: but at each step the stairs extended, never taking her from whence the echoes came. She fell here, fatigued, between expectation and disappointment.”
page 5
Encyclopaedia of Stairs
“… My friend says this is a stupid story – fiction, not fact. But upon passing I recognised these stairs as those described in the Encyclopaedia; and upon descending – what luck – my speculations found you just as described. One day I’ll find the Missing, confiscated, Expectations: well maybe; One day.”
page 5
———
fig. 5 – library: Princess Bridge staircase, Melbourne






Encyclopaedia of a Movie
room. We’ll pan in just as you’re paying for the raining computer. Then you’re to enter the room and place this raining computer next to the computer calculating the quantity of surfaces touched by the sun at given moments of the day. Now, this is the last take for the day and we all want to go home, so don’t — whatever you do — take the raining computer into the room where the computer calculating the various degrees of loneliness resides. And when you
page one
—————
[details]
– room for emotion number 1
– room for emotion number 1
– room for emotion number 1
– room for emotion number 1
– fig. 100
– fig. 100 – library: corner of Swanston Street & Bourke Street, Melbourne



photo: Carl Warner

photo: Carl Warner

photo: Carl Warner
Encyclopaedia of a Moment’s Evidence
a spatial probability edition 1993
—————
List of Illustrations
Moment …… Page
12:56pm …… 1
12:57pm …… 2
12:58pm …… 3
12:59pm …… 4
12:00pm …… 5
12:01am …… 6
12:02am …… 7
12:03am …… 8
12:04am …… 9
12:05am …… 10
—————
Moment 12:00pm
At 12:01, she hurriedly enters room A in urgent search for the evidence of moment 12:00 pm. She finds it.
[5]
[entrance through lowest room, A, listed anti-clockwise]
room A
room B
room C
room D
room E
—————
Moment 12.00pm
At 12.01, assured that the evidence of moment 12.00 pm was in room B, she entered, but too late. The evidence had been wiped away.
[5]
[entrance through lowest room, B, listed anti-clockwise]
room B
room C
room D
room E
room A
—————
Moment 12.00pm
If evidence of the moment 12.00pm existed, it would be found in room C. She enters room C at 12.01 and she finds no evidence of moment 12.00 pm.
[5]
[entrance through lowest room, C, listed anti-clockwise]
room C
room D
room E
room A
room B
—————
Moment 12.00pm
With trepidation, at 12:01 she entered room D. Evidence of moment 12:00 pm was not found — but lived.
[5]
[entrance through lowest room, D, listed anti-clockwise]
room D
room E
room A
room B
room C
—————
Moment 12.00pm
At 12:01 she entered room E and without remorse, remembered moment 12:00 pm.
[5]
[entrance through lowest room, E, listed anti-clockwise]
room E
room A
room B
room C
room D








[square room central watercolour]
library No. 5
of words
without meaning
lost of all feeling
[top circular room]
words of friendship
[left circular room]
words of counsel
[lower circular room]
words read
[right circular room]
words of love
——————
[square room with window, without a door, in upper circular room with door]
that soothe, sometimes
[square room with window, without a door, in lefthand circular room with door]
words too painful to hear
[square room with window, without a door, in lower circular room with door]
words which fall, fumble and touch so close
[square room with window, without a door, in righthand circular room with door]
words barely said in return


Truth’s Spatial Probability
Unbeknownst to him, for he was daydreaming out the window. Truth stepped into Room B and loitered there a little. While he roused from his dreams to again take grasp of reality — Truth, undetected by him, slid from Room B with the ease of time and hid in Room A.
~ 5 ~
– Room A
—————
Truth’s Spatial Probability
He rushed from Room B into Room C in desperate search for Truth. During his scurry, he did not notice Truth’s narrow escape from Room C to Room A at the moment of his entrance.
~ 5 ~
– Room B
—————
Truth’s Spatial Probability
Having been told that Truth was in Room A, he quietly entered in an unobtrusive manner so not to frighten and cause Truth to scamper. But upon this cautious entrance he discovered a fig: that Truth was in fact not in Room A but Room B.
~ 5 ~
– Room C
—————
Truth’s Spatial Probability
While resting in Room A pondering his next move, he heard scandalous rumours concerning Truth’s entrapment in Her Room. Fearing to dare enter Her Room, he thought it wise to instead wait in Room B where the view was more pleasant.
~ 5 ~
– Her Room






A Pictorial Knowledge
Publication
1993
—————
Spelling Mistakes
List of Illustrations
Mistake … Page
truce … 1
trepidation … 2
timidity … 3
trust … 4
mistake … 5
—————
Spelling Mistakes
~ truce ~
[1]
—————
Spelling Mistakes
~ trepidation ~
[2]
—————
Spelling Mistakes
~ timidity ~
[3]
—————
Spelling Mistakes
~ trust ~
[4]
—————
Spelling Mistakes
~ to never be mistaken ~
[5]