Encyclopaedia of Time in Art: pp. 10-12

Specifications
Encyclopaedia of Time in Art: pp. 10-12 is made of Watercolour, lead pencil and pen on paper.

with an overall measurement of 31 x 67.

Edition
Encyclopaedia of Time in Art: pp. 10-12 is in an edition. The edition includes:
  • Encyclopaedia of Time in Art: pp. 1-3, 1996
  • Encyclopaedia of Time in Art: pp. 4–6, 1996
  • Encyclopaedia of Time in Art: pp. 7–9, 1996
  • Encyclopaedia of Time in Art: pp. 10-12, 1996
  • Encyclopaedia of Time in Art: pp. 13–15, 1996
  • Encyclopaedia of Time in Art: pp. 16–18, 1996
  • Encyclopaedia of Time in Art: pp. 19–21, 1996
  • Encyclopaedia of Time in Art: pp. 22–24, 1996
  • Encyclopaedia of Time in Art: pp. 25–27, 1996
  • 36 pages about time: pp. 28–30, 1996
  • Encyclopaedia of Time in Art: pp. 31–33, 1996
  • Encyclopaedia of Time in Art: pp. 34–36, 1996
    • Exhibitions, events & artist pages
    08/09/1999 Space Affects: the art and architecture of James Birrell and Gail Hastings, Metro Arts (cur. David Pestorius), Brisbane
    09/05/1996 Art 1996 Chicago, David Pestorius Gallery, Chicago

    Bibliography
    Artner Alan G., ‘More Than Meets The Eye: Increase In Dealers At Navy Pier Gives `Art 1996 Chicago’ A Distinct European Shift’, Chicago Tribune, May 12 1996.

    Among the works that leap out are Andreas Gursky’s huge, mind-boggling color photographs of factory interiors (at Jean Bernier Gallery and Galerie Ghislaine Hussenot); the writing-in-space-and-shadow by Fred Eerdekens (James Van Damme Gallery); Kent Bellows’ realist self-portrait (Forum); and Gail Hastings’ text-and-image meditations (David Pestorius).

    Birrell James, ‘Abstract Distractions’, in David Pestorius (ed.), Space Affects: The art and architecture of James Birrell and Gail Hastings, exhibition catalogue, Metro Arts, Brisbane 1999, pp.23–5.

    Holdings
    Encyclopaedia of Time in Art: pp. 10-12 is in a public collection: The University of Queensland, Brisbane, 1999.

    Later artwork

    Earlier artwork

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      Acknowledgement

      I acknowledge the Kulin Nation’s Yaluk-ut Weelam clan of the Boon Wurrung people as custodians of the lands, waterways and skies where I live and work. I pay my respect to their Elders past, present and emerging. I recognise their cultural faithfulness, strength and resilience against the trauma of colonisation. First Peoples’ sovereignty has never been ceded.
      Gail Hastings