The wall component is a non-objective painting – a monochrome square. If we understand the illusionistic space of a figurative painting as occurring between the painterly construction of a foreground and background, then a non-objective painting does away with figurative space by being rid of a foreground and background. Painterly construction gives way to physical construction.
The painting hangs in a floorplan based on its physical construction. It hangs 2 mi up and 3 un across. It hangs in the same place whether viewed as a monochrome (blue) square, or as a grey geometric shape placed on top of the blue square.
This is the truth of the blue and grey truth work, a truth the protagonists within the situation are unable to see.

truth works: blue and grey

Specifications
truth works: blue and grey is made of acrylic on wood; watercolour and lead pencil on paper.

The work comprises components with an overall measurement of 60 x 80 x ‘X’ cm.

Edition
truth works: blue and grey is in an edition. The edition includes:
  • truth works: blue and grey, 2010
  • truth works: brown and black, 2010
  • truth works: turquoise and green, 2010
  • truth works: orange and red, 2010
    • Exhibitions, events & artist pages
    23/02/2010 Leave the line standing, St Canice’s Annex, Sydney

    Holdings
    Gail Hastings’ studio
    truth works: blue and grey is available for acquisition. Please enquire about viewing the artwork.

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      Acknowledgement

      I acknowledge the Kulin Nation’s Yaluk-ut Weelam clan of the Boon Wurrung people as custodians of the lands, waterways and skies where I live and work. I pay my respect to their Elders past, present and emerging. I recognise their cultural faithfulness, strength and resilience against the trauma of colonisation. First Peoples’ sovereignty has never been ceded.
      Gail Hastings