Yet, in the truth works, the physical addition of a geometric shape intercepts the monochrome painting with a dilemma. In terms of painterly construction, the truth works are without a foreground and background. Yet in terms of physical construction, a geometric shape with physical depth on top of another renders the former a foreground and the latter a background.
The painting hangs in a floorplan based on its physical construction. It hangs 2 mi up and 3 un across. It hangs in the same place whether viewed as a monochrome (brown) square, or as a black geometric shape placed on top of the brown square.
This is the truth of the brown and black truth work, a truth the protagonists within the situation are unable to see.
The painterly construction is, therefore, in disagreement with the physical construction of these truth works. What, then, is their truth? The watercolour encyclopaedia entitled ‘Encyclopaedia of finding the truth in art’ begins with ‘They disagreed’.

truth works: brown and black

Specifications
truth works: brown and black is made of acrylic on wood, watercolour and lead pencil on paper .

The work comprises components with an overall measurement of 40 x 60 x ‘X’ cm.

Edition
truth works: brown and black is in an edition. The edition includes:
  • truth works: blue and grey, 2010
  • truth works: brown and black, 2010
  • truth works: turquoise and green, 2010
  • truth works: orange and red, 2010
    • Exhibitions, events & artist pages
    23/02/2010 Leave the line standing, St Canice’s Annex, Sydney

    Holdings
    Gail Hastings’ studio
    truth works: brown and black is available for acquisition. Please enquire about viewing the artwork.

    Later artwork

    Earlier artwork

    SUBSCRIBE


      2025
      2024
      2023
      2022
      2021
      2020
      2019
      2018
      2017
      2016
      2015
      2014
      2013
      2012
      2011
      2010
      2009
      2008
      2007
      2006
      2005
      2004
      2003
      2002
      2001
      2000
      1999
      1998
      1997
      1996
      1995
      1994
      1993
      1992
      1991
      1990
      1989
      1988

      Gail Hastings Sculptural Situations

      About Gail Hastings
      Biography
      Contact

      Pigment Publisher

      Pigment Publisher is a subsidiary of Gail Hastings’ practice.
      Bookshop
      Refund and returns policy

      Living Room

      To state at a stare

      Acknowledgement

      I acknowledge the Kulin Nation’s Yaluk-ut Weelam clan of the Boon Wurrung people as custodians of the lands, waterways and skies where I live and work. I pay my respect to their Elders past, present and emerging. I recognise their cultural faithfulness, strength and resilience against the trauma of colonisation. First Peoples’ sovereignty has never been ceded.
      Gail Hastings