Artwork Year: 1996

  • a silent cube

    a silent cube

    Specifications
    a silent cube is made of watercolour and lead pencil on paper, gesso, acrylic paint and pencil on wood. Carpentry by Gail Hastings.

    with an overall measurement of .

    Holdings
    a silent cube is in a private collection: Munich, 1997.

  • a silent corner 2

    a silent corner 2

    Specifications
    a silent corner 2 is made of watercolour and lead pencil on paper, gesso, acrylic paint and pencil on wood. Carpentry by Gail Hastings.

    The work comprises four components with an overall measurement of 173.5h x 146.5w x 7d cm.

    Holdings
    a silent corner 2 is in a private collection: Munich, 1997.

  • a silent corner

    a silent corner

    Specifications
    a silent corner is made of watercolour and lead pencil on paper, gesso, acrylic paint and pencil on wood. Carpentry by Gail Hastings.

    The work comprises four components with an overall measurement of 173h x 221.8w x 7d cm. The sculptuation is placed in a corner where each block of colour — a blue painting and orange watercolour room — is opposite the gap in their colour substantiated, here, as a long narrow object/painting. The two extensions of silence (between phone calls) in this sculptuation are 38.45cm (orange watercolour room) and 73.8 cm (blue block).

    Holdings
    Gail Hastings’ studio
    a silent corner is available for acquisition. Please enquire about viewing the artwork.

  • To make a work of timeless art

    To make a work of timeless art

    Specifications
    To make a work of timeless art is made of Offset printed announcement card; lead pencil and watercolour on paper, framed; lead pencil and acrylic paint on MDF; pencil and acrylic paint on wall surfaces.

    The work comprises nine components with an overall measurement of 208.5h cm x variable. At Adelaide’s Experimental Art Foundation (EAF), for example, <————this moment————> meandered trough a bevy of empty back rooms before resurfacing in the immediate exhibition room to finish with an arrow pointing towards page 7. Carpentry by Gail Hastings.

    Holdings
    To make a work of timeless art is in a public collection: Museum of Contemporary Art, Sydney, 1997.

  • Encyclopaedia of Time in Art: pp. 34–36

    Encyclopaedia of Time in Art: pp. 34–36

    Specifications
    Encyclopaedia of Time in Art: pp. 34–36 is made of Watercolour, lead pencil and pen on paper.

    with an overall measurement of 34.3 x 71.5 x 3.5.

    Holdings
    Encyclopaedia of Time in Art: pp. 34–36 is in a public collection: National Gallery of Australia, Canberra, 1996.

  • Encyclopaedia of Time in Art: pp. 31–33

    Encyclopaedia of Time in Art: pp. 31–33

    Specifications
    Encyclopaedia of Time in Art: pp. 31–33 is made of Watercolour, lead pencil and pen on paper.

    with an overall measurement of 34.3 x 71.5 x 3.5.

    Holdings
    Encyclopaedia of Time in Art: pp. 31–33 is in a public collection: National Gallery of Australia, Canberra, 1996.

  • 36 pages about time: pp. 28–30

    36 pages about time: pp. 28–30

    Specifications
    36 pages about time: pp. 28–30 is made of Watercolour, lead pencil and pen on paper.

    with an overall measurement of 34.3 x 71.5 x 3.5.

    Holdings
    36 pages about time: pp. 28–30 is in a public collection: National Gallery of Australia, Canberra, 1996.

  • Encyclopaedia of Time in Art: pp. 25–27

    Encyclopaedia of Time in Art: pp. 25–27

    Specifications
    Encyclopaedia of Time in Art: pp. 25–27 is made of Watercolour, lead pencil and pen on paper.

    with an overall measurement of 31 x 67.

    Holdings
    Encyclopaedia of Time in Art: pp. 25–27 is in a public collection: National Gallery of Australia, Canberra, 1996.

  • Encyclopaedia of Time in Art: pp. 19–21

    Encyclopaedia of Time in Art: pp. 19–21

    Specifications
    Encyclopaedia of Time in Art: pp. 19–21 is made of Watercolour, lead pencil and pen on paper.

    with an overall measurement of 34.3 x 71.5 x 3.5.

    Holdings
    Encyclopaedia of Time in Art: pp. 19–21 is in a private collection: Zürich, 1997.

  • Encyclopaedia of Time in Art: pp. 16–18

    Encyclopaedia of Time in Art: pp. 16–18

    Specifications
    Encyclopaedia of Time in Art: pp. 16–18 is made of Watercolour, lead pencil and ink on paper.

    with an overall measurement of 343h x 715w x 35d mm (framed).

    Holdings
    Encyclopaedia of Time in Art: pp. 16–18 is in a private collection: Zürich, 1997.

  • Encyclopaedia of Time in Art: pp. 13–15

    Encyclopaedia of Time in Art: pp. 13–15

    Specifications
    Encyclopaedia of Time in Art: pp. 13–15 is made of Watercolour, lead pencil and pen on paper.

    with an overall measurement of 34.3 x 71.5 x 3.5.

    Holdings
    Encyclopaedia of Time in Art: pp. 13–15 is in a private collection: Brisbane, 1996.

  • Encyclopaedia of Time in Art: pp. 10-12

    Encyclopaedia of Time in Art: pp. 10-12

    Specifications
    Encyclopaedia of Time in Art: pp. 10-12 is made of Watercolour, lead pencil and pen on paper.

    with an overall measurement of 31 x 67.

    Holdings
    Encyclopaedia of Time in Art: pp. 10-12 is in a public collection: The University of Queensland, Brisbane, 1999.

  • Encyclopaedia of Time in Art: pp. 7–9

    Encyclopaedia of Time in Art: pp. 7–9

    Specifications
    Encyclopaedia of Time in Art: pp. 7–9 is made of Watercolour, lead pencil and pen on paper.

    with an overall measurement of 34.3 x 71.5 x 3.5.

    Holdings
    Encyclopaedia of Time in Art: pp. 7–9 is in a private collection: Zürich, 1996.

  • Encyclopaedia of Time in Art: pp. 4–6

    Encyclopaedia of Time in Art: pp. 4–6

    Specifications
    Encyclopaedia of Time in Art: pp. 4–6 is made of Watercolour and lead pencil on paper.

    Holdings
    Encyclopaedia of Time in Art: pp. 4–6 is in a private collection: Munich, 1997.

  • Encyclopaedia of Time in Art: pp. 1-3

    Encyclopaedia of Time in Art: pp. 1-3

    Specifications
    Encyclopaedia of Time in Art: pp. 1-3 is made of Watercolour and lead pencil on paper.

    with an overall measurement of 34.3 x 71.5 x 3.5.

    Holdings
    Gail Hastings’ studio
    Encyclopaedia of Time in Art: pp. 1-3 is available for acquisition. Please enquire about viewing the artwork.

Gail Hastings