Close Quarters: Contemporary Art from Australia and New Zealand
| Exhibition | |
| Date: | 08/Oct/1998 to 28/Nov/1998 |
| Curated by: | Christina Barton, Zara Stanhope, Clare Williamson |
| At: | Australian Centre for Contemporary Art, Melbourne |
| Artists: |
Lyell Bary, L. Budd et al., Destiny Deacon, Tony de Latour, eX de Medici, Mikala Dwyer, Simryn Gill, Eugene Hansen, Michael Harrison, Gail Hastings, Sean Kerr, Danius Kesminas, Ani O’Neil, Natalie Robertson, Marie Shannon, Terry Urbahn, H.J. Wedge, Constanze Zikos |
| List of works by GH: |
difficult art decisions: walls four and five coincidence at 5:51 pm |
| Bibliography: | Christina Barton, Zara Stanhope, Clare Williamson, ‘Speaking of Strange Bedfellows’, Close Quarters: Contemporary Art from Australia and New Zealand, exhibition catalogue, Monash University Museum of Art and Australian Centre for Contemporary Art, Melbourne 1998, pp.8, 24. Robert Rooney, ‘Pursuing a minimal existence’, The Australian, Friday, 23 October 1998, p.19. |
|
Australian Centre for Contemporary Art in conjunction with Monash University Museum of Art ACCA MUMA |
|
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Acknowledgement
I acknowledge the Kulin Nation’s Yaluk-ut Weelam clan of the Boon Wurrung people as custodians of the lands, waterways and skies where I live and work. I pay my respect to their Elders past, present and emerging. I recognise their cultural faithfulness, strength and resilience against the trauma of colonisation. First Peoples’ sovereignty has never been ceded.
Gail Hastings