Established by Moët & Chandon in 1987, the Foundation comprises three elements, the Fellowship, the Touring Exhibition and the Art Acquisition Fund which have provided developing young artists in Australia with an innovative programme of support of real significance. Moët & Chandon’s long term commitment to the future of the visual arts in Australia is unique and visionary in its scope and generosity.

[…] The annual Moët & Chandon Touring Exhibition is the second element of the Foundation. The work of the winning Fellow and the other finalists is exhibited throughout Australia at the major galleries giving the artists the associated exposure and recognition that a tour of this status provides.

Moët &​ Chandon Australian Art Foundation Touring Exhibition 1996

Exhibition
Date: 17/Apr/1996 to 12/May/1996
Curated by: Terry Smith, Pat Hoffie & John McPhee
At: National Gallery of Victoria, Brisbane
Artists:

Peter Atkins, Angela Brennan, Tim Burns, Malcom Bywaters, Yenda Carson, Heather Fernon, Paul Gilmartin, Paul Handley, Gail Hastings, Cameron Hayes, Linda Judge, Judith Anne Kentish, Ildiko Kovacs, Anne MacDonald, Damin Moss, Michael Nicholls, Louise Paramor, Patricia Piccinini, Kerrie Poliness, Louise Pratt, Rea, Paul Saint, Philip Wolfhagen
List of works by GH: Patterns 17 and 71
Bibliography: Anna Clabburn, ‘Who is art for?’, in Maudie Palmer (ed.), Moët & Chandon Touring Exhibition, exhibition catalogue, Moët & Chandon Australian Art Foundation, Melbourne 1996, pp.7, 13, 18, 21. Anna Johnson, ‘Art Beat’, Arts, The Sydney Morning Herald, Sydney Friday 9 February 1996, p.18. Virginia Trioli, ‘A 64-page photocopy wins art award’, The Age, Wednesday 14 Feb 1996, p.3.
National Gallery of Victoria

Dir: Doug Hall
Stanley Pl
South Brisbane QLD 4101
Australia

GAIL HASTINGS STUDIO
♣ About
♣ Contact

 

COMMUNITY
♠ Pigment Publisher
♠ Mercedes-Benz Art Collection (2023)

PAGES
♥ Art
♥ Space tendencies
♥ News

I acknowledge the Kulin Nation’s Yaluk-ut Weelam clan of the Boon Wurrung people as custodians of the lands, waterways and skies where I live and work. I pay my respect to their Elders past, present and emerging, and to Elders of Australia’s First Peoples other communities who may be visiting this website.
Gail Hastings

@ Studio Gail Hastings 2024