Several ideas stemming from Minimalism, though controversial in the 1960s, are now widely accepted as part of the landscape of contemporary art: for example, the artwork can be fabricated by someone other than the artist; it can comprise modules or units used singularly or repeated, and its governing concept is more important than any craft or technical skills.  Minimal artists dispensed with plinths, frames and other distancing devices, thereby activating real space with their works and more directly addressing the viewer. Heide curator Sue Cramer talks with artists Janet Burchill, Gail Hastings, John Nixon and Kathy Temin about the reworking of Minimalism within contemporary art today. The evening will begin with a film viewing, wine and cheese.