Tag: Donald Judd

  • Space with a phoneme of its own

    Space with a phoneme of its own

    When someone a couple of years back asked what sort of art I make, I hesitated. Easy to answer if one makes either painting or sculpture; difficult, if one makes neither. Worse, still, if one makes a spatial art that is not ‘installation’. For which reason I asked, in response, ‘Do you know of installation’?…

  • Thank goodness Donald Judd wasn’t a misogynist

    Thank goodness Donald Judd wasn’t a misogynist

    While browsing iTunes one fine July 2007 day, I happened upon a new release by Austin Indie band ‘Spoon’ with a cover image of the artist Lee Bontecou by photographer Ugo Mulas, taken in 1963. Instantly impressed, I eagerly investigated further and came across an interview. Here, singer/guitarist Britt Daniel explains that, although he was…

  • The art of noticing Part III

    The art of noticing Part III

    Mistakenly, some say Anthony Caro was the first to make pedestal-less three-dimensional art. ((Many will be fortunate to remember having seen Anthony Caro’s abstract sculpture in Sculpture by the Sea at Bondi Beach, Sydney, in October 2010.)) As for who did what first, when it comes to boycotting the pedestal (or plinth, as we are more likely to call…

  • The art of noticing Part II

    The art of noticing Part II

    Often, it is not long before a sculpture student at tertiary level discovers their enthusiasm dinted by a definition of sculpture by the American painter Ad Reinhardt, as ‘something you bump into when you back up to look at a painting’. Just as often, though, the bad bruising quickly fades as one succeeds in one’s…

  • The art of noticing Part I

    The art of noticing Part I

    The art of illusion is, for many, art per se. Through it, our unconscious absorption into representational imagery transports us somewhere other that the reality in which we stand. This remains the desired effect we request from art. Since the beginning of the previous century, however, various artists and art movements have endeavoured to shatter…

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I acknowledge the Kulin Nation’s Yaluk-ut Weelam clan of the Boon Wurrung people as custodians of the lands, waterways and skies where I live and work. I pay my respect to their Elders past, present and emerging, and to Elders of Australia’s First Peoples other communities who may be visiting this website.
Gail Hastings