Tag: Habit’s pattern

  • Sculptuation by Gail Hastings in 20/200 at Sarah Cottier Gallery opening next Thursday, 13 March

    Sculptuation by Gail Hastings in 20/200 at Sarah Cottier Gallery opening next Thursday, 13 March

    20/200 is  group exhibition at Sarah Cottier Gallery that marks 20 years and over 200 exhibitions for the gallery. Gail Hastings is delighted to contribute a sculptuation to the exhibition for having participated in the 1996 exhibition ‘Road to Love’ (20.03.1996–30.03.1996) curated by Mikala Dwyer. The gallery, then, was located at 36 Lennox Street, Newtown, Sydney. The two…

  • A note on ‘Leave the line standing’

    A note on ‘Leave the line standing’

    We were squabbling over how best to cut the piece of wood when, with jigsaw in hand, I decided to ignore Mick and get on with the job as I always do — uncomfortable with and annoyed by his audience. Then Mick made a last ditched effort and said, ‘leave the line standing’. Standing? Line?…

  • On the habit of spatial shifts

    Habit is something we are unable to live without. If the many menial tasks we complete each day were not a matter of habit, they would absorb all the attention we have for other more important things. Habit allows us to add a couple of spoonfuls of sugar to our tea, without having to register the…

  • Why I make editions: A space for possibilities

    Why I make editions: A space for possibilities

    A ‘limited edition’ is a term we generally associate with printmaking or photography in contemporary art. Both involve the reproduction of an artwork a number of times. If the ‘number of times’ is limited to, say, 100 prints, then the artwork is an edition of 100. There is a problem here, however, with the word…

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I acknowledge the Kulin Nation’s Yaluk-ut Weelam clan of the Boon Wurrung people as custodians of the lands, waterways and skies where I live and work. I pay my respect to their Elders past, present and emerging, and to Elders of Australia’s First Peoples other communities who may be visiting this website.
Gail Hastings