Tag: Missing (ebook)

  • Best Artist Book – AAANZ Prize 2017

    Best Artist Book – AAANZ Prize 2017

    Judges of the Best Artist Book for the AAANZ Prize, 2017 — Martyn Jolly and Christopher LG Hill — write that this ‘publication pushes the format of Artist book the most, and is engaged with its format. As one of the few projects not heavily engaged with research as a format, it is important. It…

  • Review of Exhibition: To Do in Art Monthly

    Review of Exhibition: To Do in Art Monthly

    In the August 2014 edition of Art Monthly Australia there is a review of Exhibition: To Do (2014) and Missing: four sculptuations by Gail Hastings (2014), by Judith Blackall. The Library now holds the article,  Gail Hastings: Sculptuations.

  • Announcement: Gail Hastings’ Exhibition: To Do performed as a score | at The Commercial | Saturday 4-6pm

    Announcement: Gail Hastings’ Exhibition: To Do performed as a score | at The Commercial | Saturday 4-6pm

    Image: Gail Hastings, Exhibition: To Do, 2014, acrylic on plywood, plywood, watercolour and lead pencil on paper, 185.4 x 225 x 225cm (photo: Sofia Freeman) Exhibition: To Do Closing Launch: Saturday 3 May, 4-6pm with the work’s spatial score performed by clarinetist Megan Clune starting 4:45pm open Wednesday-Saturday, 11am-6pm 148 Abercrombie Street, Redfern, NSW, Australia, +61 2 8096 3292…

  • Review of Missing by Isobel Philip in The Art Life: The pure potential of a page

    Review of Missing by Isobel Philip in The Art Life: The pure potential of a page

    A review of Gail Hastings’ ebook Missing by Isobel Parker Philip entitled The pure potential of a page is published, today, on The Art Life. Hastings uses the term ‘sculptuation’ to define her practice. This is a term that marries ‘sculpture’ with ‘situation’ so as to shift focus away from the individuated sculptural object and towards the…

  • Review of ‘Exhibition: To Do’ by Chloé Wolifson

    Review of ‘Exhibition: To Do’ by Chloé Wolifson

    A review of Exhibition: To Do by Chloé Wolifson can be found on the Arts Hub, Saturday 19 April 2014. Delicately rendered in watercolour with ruled pencil lines emerging from the edges of the translucent wash, these pieces depict the To Do list in question. One such reminder, the instruction: ‘Build racks in which to store the…

  • ‘Corner caretakers’ and ‘Space of a five page plot’ now on view at The Commercial

    ‘Corner caretakers’ and ‘Space of a five page plot’ now on view at The Commercial

    Corner caretakers, 2014, and Space of a five page plot, 2014, are two of four sculptuations that comprise the ebook Missing: four sculptuations by Gail Hastings, 2014 available at iBooks. Both are now on view at The Commercial Gallery, Redfern, along with the sculptuation Exhibition: To Do, 2014.

  • Announcement: Exhibition: To Do

    Announcement: Exhibition: To Do

    The Commercial Images 1-4 Gail Hastings, Exhibition: To Do, 2014, acrylic on plywood, plywood, watercolour and lead pencil on paper, 185.5 x 225 x 225cm; image 5 exhibition installation view; images 6-7 Gail Hastings,Corner caretakers, 2014, watercolour and lead pencil on paper in plywood frames, 12 components, each 55 x 46.5 x 1.8cm (Corner caretakers is a sculptuation…

  • Press release | The Commercial: Missing

    The Commercial Gail Hastings Missing an eBook comprising four new sculptuations by Gail Hastings Foreword by Richard Shiff pre-release now available on iBooks Download on iBooks

  • Missing pre-release available now on iBooks

    Missing pre-release available now on iBooks

    Missing: Four sculptuations by Gail Hastings has just been pre-released on iBooks. With a foreword by art historian Richard Shiff—widely known for his writing on certain Impressionists while lesser known, yet just as profound, for his writing on the art of Donald Judd—Missing‘s 52 pages include watercolour moments from the Encyclopaedia of Taking Care in Art, Encyclopaedia…

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I acknowledge the Kulin Nation’s Yaluk-ut Weelam clan of the Boon Wurrung people as custodians of the lands, waterways and skies where I live and work. I pay my respect to their Elders past, present and emerging, and to Elders of Australia’s First Peoples other communities who may be visiting this website.
Gail Hastings