The Power of Inclusion in Donald Judd’s Art

Art Journal, College Art Association, New York, Vol. 77, no. 3 Fall 2018

The Power of Inclusion in Donald Judd’s Art: Observations by an Artist, Gail Hastings, pp. 48-62.
Artist’s Project: Space Practising Tools, Gail Hastings, pp. 63-75.

Gail Hastings notes that sometimes artworks seem to be reticent teachers, “muttering a lesson,” which we have to pry out of them. As both an artist and scholar reading the material and spatial in Donald Judd’s sculpture Untitled (DSS 33), Hastings rejects this metaphor, stating …

Rebecca M. Brown, ’In This Issue: Muttering and Listening‘, editorial, Art Journal, College Art Association, New York, Vol. 77, no. 3 Fall 2018.

See: The Power of Inclusion in Donald Judd’s Art: Observations by an Artist

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I acknowledge the Kulin Nation’s Yaluk-ut Weelam clan of the Boon Wurrung people as custodians of the lands, waterways and skies where I live and work. I pay my respect to their Elders past, present and emerging, and to Elders of Australia’s First Peoples other communities who may be visiting this website.
Gail Hastings